“The Rubble of Progress” portrays the drastic urban transformation in Chile during the 1970s. Through dreamlike images and real situations, it shows the eradication of shantytowns, giving rise to urban ghettos. The film explores the housing policies of the time and their repercussions today, revealing a legacy of segregation and inequality that persists. The echoes of the past resonate in the modern streets, raising questions about justice and memory in a Chile that is still seeking to heal its social wounds. Participation in national festivals  28th FIDOCS: Santiago International Documentary Film Festival Full Credits Directed by Ronnie Fuentes Screenplay Ronnie Fuentes Music Sara Hausenkamp Production Ronnie Fuentes Director of photography Ronnie Fuentes Editing Ronnie Fuentes Sound Ronnie Fuentes

We are taken into the dreamlike universe of an 80-year-old woman who has turned her home into a living work of art. Over time, Isabel has collected a variety of objects and artworks that she has acquired on her travels and at flea markets. Her home is a personal museum full of objects that tell her story and that of her ancestors. This film is a reflection on the personal value of objects and how these objects can evoke memories and emotions. Cinematographer Ronnie Fuentes Music Sara Hausenkamp Film Company URAMA FILMS Country: Sweden Year: 2025 Genre: Documentary Length: 16' Format: HDV, English Subtitles, Colour

A woman longs to find her identity through a supervillain, dancer, and mother character in the Bajos de Mena neighborhood, or what they call “Chile's largest ghetto,” in Puente Alto, Santiago. Directed by Carolina Adriazola José Luis Sepúlveda Ronnie Fuentes Screenplay Carolina Adriazola José Luis Sepúlveda Ronnie Fuentes Cast Carolina Flores Cristián Donoso (II) Victoria Donoso Production company Mitomana Producciones Executive producers Carolina Adriazola José Luis Sepúlveda Director of photography/Sound Ronnie Fuentes Image post-production Guido Goñi Sound post-production Guido Goñi Festivals SANFIC 15. Santiago International Film Festival Awards won: Best Director, Chilean Film Competition, Best Actress (Carolina Flores), Chilean Film Competition 31st Viña del Mar International Film Festival Awards won: Best Director, Feature Documentary Competition 15th Rengo Film Festival 8th Antofacine: Antofagasta International Film Festival Awards won: Best Film, National Feature Film Category 23rd FIDOCS, Santiago International Documentary Film Festival 12th Chilean Film Festival (FECICH) Ñuble National Film Festival Chiloé International Film Festival Patagonia Aysén Film Festival 2020 Frontera Sur 3rd International Non-Fiction Film Festival Film Festival Network – REDFECI 30th FICVIÑA Viña del Mar International Film Festival Awards won: Guadalajara Festival Award, Market Screaming and diploma, Kine Imágenes and Isat Awards 10th FECINA National Film Archive Festival 14th Latin American South Pole International Film Festival 5th CCFI: Colchagua International Film Festival 2021

Karen, a former professional soccer player born in Puente Alto in the southern area of Santiago. Rosa, her grandmother, is the one who assumes the role of mother and becomes a fundamental piece in Karen's life and career. In 2008 Karen begins a love relationship with her neighbor Mariel, a year later they get married in the company of family and close friends. Coto, Mariel's father, never questioned the relationship and accepted that Mariel and Karen move in with him. They will share joys, fears, life and also death. A record that moves between madness and lucidity, an invitation to feel the heroic act of simply being and being. To resist. FILM FACTS Director: Ronnie Fuentes Country: Chile Year: 2019 Length: 62 min Genre: Hybrid Cast: Karen Placencia, Mariel Muñoz and Jorge Muñoz Editing: Ronnie Fuentes, Catalina Donoso